the curb - ‘Oi’ the Best Australian Film of 2024
Oi - miff - official selection
Screenhub - Review of ‘oi’ at Queer screen’s mardi gra film festival 2025
FIVE DOCUMENTARIES TO RECEIVE DEVELOPMENT FUNDING THROUGH SCREEN AUSTRALIA AND AIDC’S FRESH CUTS INITIATIVE
Belvoir’s first 25A play for the season FEMINAZI for Sydney World Pride
Laneikka Denne leads Parish Malfitano’s supernatural horror ‘Salt Along the Tongue’ a love letter to mothers
REFINERY 29: This Is Why We Need More Intergenerational Queer Conversations
AIDC REVEALS 15 PROJECTS SELECTED FOR 2024 FACTORY INTERNATIONAL PITCHING SHOWCASE
Queer Screen’s Youth Panelists: Laneikka Denne
AIDC unveils 'the real meaning of pleasure' for FACTory International Pitching Showcase
Noho Arts Review: The International Premiere of an Australian Queer Teenage Playwright.
Open Screenplay’s Best Drama Screenplay: Laneikka Denne’s Oi.
ACON NSW: Why gender and sexuality self-identifiers matter and their place within LGBTQIA+ community and history
SBS: What queer love taught me about self love.
Sydney Writer’s Festival: Laneikka Denne
Shark Island institute announces development grant for ‘the real meaning of pleasure’ documentary
Laneikka Denne’s “Oi” First Flights Female Voices Film Fund Finalist.
Laneikka talks about why we need teenagers writing teen stories for the HSC Drama Syllabus.
Laneikka attends the International Opening Night of their debut play at Zephyr Theatre.
LOTL Magazine: Keep An Eye Out For Laneikka Denne
Kaitlyn Boyé, Laneikka Denne to lead Jack Dignan’s ‘Puzzle Box’
Rising Star Laneikka On The Five Things You Need To Shine In The Entertainment Industry
Teenagers Queer Play makes International Debut in LA
Here's A Play For Teenagers Written By A Teenager
NOHO Arts on: DEAD SKIN in LA.
Meet Laneikka Denne | Killin' It
Homophobia is still an issue… what can we do?
'The Play's The Thing' - Actor and Playwright, Laneikka Denne
Q LAB RESIDENCY: LANEIKKA DENNE
What’s happened to our independent theatre makers?
“A furious and urgent work that shatters the cobwebs off the stale queer narrative”